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Although the U.S. Postal Service is now being forced to scrap its plan to end Saturday mail delivery, it’s still looking for ways to cut costs. Selling buildings is one option, and in February, the organization put forward a proposal to sell the Bronx General Post Office, a Depression-era building from 1935. Erected as part of a federal program to employ out-of-work architects, engineers, and artists, the block-long building was designed by Thomas Harlan Ellett and includes exterior sculptures by Henry Kreis and Charles Rudy. It was landmarked in 1976, which means it would be preserved from destruction in the event of a sale. However, that landmark status does not apply to the interior — and it just so happens that 13 murals by artist Ben Shahn cover the walls of the lobby.

 (via Pending Post Office Sale Threatens Depression-Era Murals)

Although the U.S. Postal Service is now being forced to scrap its plan to end Saturday mail delivery, it’s still looking for ways to cut costs. Selling buildings is one option, and in February, the organization put forward a proposal to sell the Bronx General Post Office, a Depression-era building from 1935. Erected as part of a federal program to employ out-of-work architects, engineers, and artists, the block-long building was designed by Thomas Harlan Ellett and includes exterior sculptures by Henry Kreis and Charles Rudy. It was landmarked in 1976, which means it would be preserved from destruction in the event of a sale. However, that landmark status does not apply to the interior — and it just so happens that 13 murals by artist Ben Shahn cover the walls of the lobby.

 (via Pending Post Office Sale Threatens Depression-Era Murals)

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lately, the public face of Charleston has seen a splash of new colors. Thanks to the ChArt Outdoor Initiative in Avondale and Park Circle, the number of local public murals has tripled in the past year. And then there are the murals that have existed under the radar. The rising popularity of Charleston native Shepard Fairey had street art popping up all over town in the early ’90s, and while much of that is gone now, locals like Ishmael, Sheepman, and Patch Whisky have incorporated the street ethos into their own art and continue to produce public works.

(via Multimedia: Murals in Charleston | Features | Charleston City Paper)

lately, the public face of Charleston has seen a splash of new colors. Thanks to the ChArt Outdoor Initiative in Avondale and Park Circle, the number of local public murals has tripled in the past year. And then there are the murals that have existed under the radar. The rising popularity of Charleston native Shepard Fairey had street art popping up all over town in the early ’90s, and while much of that is gone now, locals like Ishmael, Sheepman, and Patch Whisky have incorporated the street ethos into their own art and continue to produce public works.

(via Multimedia: Murals in Charleston | Features | Charleston City Paper)

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A Love Letter For You » Murals