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Specifically, vibrancy transforms communities by making them more prosperous. Art- Place says its goal is not merely to promote the arts but to “transform economic development in America,” a project that is straightforward and obvious if you accept the organization’s slogan: “Art creates vibrancy and increases economic opportunity.” And that, presumably, is why everyone is so damn vibrant these days.

Consider Akron, Ohio, which was recently the subject of a conference bearing the thrilling name “Greater Akron: This Is What Vibrant Looks Like.” Or Boise, Idaho, whose citizens, according to the city’s Department of Arts and History, are “fortunate to live in a vibrant community in which creativity flourishes in every season.” Or Cincinnati, which is the home of a nonprofit called “Go Vibrant” as well as the Greater Cincinnati Foundation, which hands out “Cultural Vibrancy” grants, guided by the knowledge that “Cultural Vibrancy is vital to a thriving community.”

Is Rockford, Illinois, vibrant? Oh my god yes: according to a local news outlet, the city’s “Mayor’s Arts Award nominees make Rockford vibrant.” The Quad Cities? Check: As their tourism website explains, the four hamlets are “a vibrant community of cities sharing the Mississippi River in both Iowa and Illinois.” Pittsburgh, Pennsylvania? Need you even ask? Pittsburgh is a sort of Athens of the vibrant; a city where dance parties and rock concerts enjoy the vigorous boosting of an outfit called “Vibrant Pittsburgh”; a place that draws young people from across the nation to frolic in its “numerous hip and vibrant neighborhoods,” according to a blog maintained by a consortium of Pittsburgh business organizations.

I loved this piece.

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Public art makes me think of what the Conceptualist Douglas Huebler once said: “The world is full of objects, more or less interesting; I do not wish to add any more.” That may be a funny thing for an artist to say, but if you live in a place as densely packed with objects of all kinds as New York City, you may appreciate its wisdom.

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The Dutch art duo Haas and Hahn, comprised of Jeroen Koolhaas and Dre Urhahn, were commissioned by the City of Philadelphia and its Mural Arts Program to paint a section of Germantown Avenue as part of an ongoing revitalization effort targeted at stagnant commercial corridors. Located in the central part of North Philadelphia a few blocks east of Broad Street, the neighborhood is better known for its abandoned houses than its arts scene.

(via Reimagining an Entire Neighborhood Through Murals - Jobs & Economy - The Atlantic Cities)

The Dutch art duo Haas and Hahn, comprised of Jeroen Koolhaas and Dre Urhahn, were commissioned by the City of Philadelphia and its Mural Arts Program to paint a section of Germantown Avenue as part of an ongoing revitalization effort targeted at stagnant commercial corridors. Located in the central part of North Philadelphia a few blocks east of Broad Street, the neighborhood is better known for its abandoned houses than its arts scene.

(via Reimagining an Entire Neighborhood Through Murals - Jobs & Economy - The Atlantic Cities)

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Whether it’s museum alternatives, scenic strolls, or mildly controversial creative expressions you’re seeking, the updated maps will ensure you’re aware of what you pass, wherever it is you happen to be this season. Here now, city by city:

New York · Boston · Cape Cod · Philly · Washington DC · Atlanta · Miami · Chicago · Detroit · Los Angeles · San Francisco · Seattle

· Maps of Must-See Public Art Around the Curbed Universe [Curbed National]

Tags: Public Art
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Jeroen Koolhaas, 35, and Dre Urhahn, 38, a pair of Dutch-born artists, have set out to turn the facades of 100 or so buildings in a crime-ridden section of North Philadelphia into a giant public artwork, a mural that incorporates dilapidated storefronts, boarded-up windows, drooping cornices and even a few stray Art Deco details.

(via Urban Bright | Philly Gets a Paint Job - NYTimes.com)

Jeroen Koolhaas, 35, and Dre Urhahn, 38, a pair of Dutch-born artists, have set out to turn the facades of 100 or so buildings in a crime-ridden section of North Philadelphia into a giant public artwork, a mural that incorporates dilapidated storefronts, boarded-up windows, drooping cornices and even a few stray Art Deco details.

(via Urban Bright | Philly Gets a Paint Job - NYTimes.com)

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(via How to build giant Space Invaders as public art – Boing Boing)
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The Guggenheim Museum’s stillspotting nyc:

A two-year multidisciplinary project that takes the museum’s Architecture and Urban Studies programming out into the streets ….

Every three to five months, “stillspots” are identified, created, or transformed by architects, artists, designers, composers, and philosophers into public tours, events, or installations. In conjunction to these site-specific commissions around the city, students from Columbia University and the School of Visual Arts are visualizing, reflecting, and responding to everyday issues of visual noise, anxiety, and stillness through interactive maps and videos that will be presented on an exhibition microsite launching in June.

Together, these works weave an unexpected and cross-disciplinary web of tranquility throughout the city. Stillspotting nyc is organized by David van der Leer, Assistant Curator, Architecture and Urban Studies, Solomon R. Guggenheim Museum, New York.

Specific example: Pedro Reyes, Sanatorium, June 2–5 and 9–12, 2011

In his temporary clinic, Sanatorium (installed as the first edition of stillspotting nyc in Brooklyn), artist Pedro Reyes combines the best of New York’s existing therapy landscape with unexpected, short, experimental treatments. In two-hour windows, Sanatorium visitors experience up to three sessions from a roster of sixteen special “urban therapies.” Upon arrival, visitors will meet a receptionist who will assign a series of “therapies” to each person.

On Sundays, special sessions will be offered for children.

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Tags: Public Art
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LE KRAM, TUNISIA —

For the artists behind what is one of the most ambitious contemporary street art projects to vibrate the Arab world, the artwork is about replacing the once all-pervasive presidential photography with mosaics of ordinary, anonymous Tunisians who rose up against their government. The group are using street art to kick-start conversations and to challenge their compatriots to see the familiar in a new, post-revolutionary, light.

In the spirit of people-power, the project, titled “INSIDE OUT: Artocracy in Tunisia”, features a hundred ordinary Tunisians, putting their images where only presidents once hung. The portraits were taken by six Tunisian photographers, in collaboration with the renowned French street artist known as JR and other international artists.

More: Art challenges Tunisian revolutionaries - Features - Al Jazeera English

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